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In some circumstances, humans are perplexed by the instability of matter, but in others they embrace it with a recognition that instability brings about welcome as well as unwelcome aesthetic phenomena that are otherwise unattainable. This symposium focuses on how humans have accepted and exploited inherent instability, which is a property of all materials, in the face of the tension that so frequently arises between acceptance of mutability and attempts to arrest it.

Most will find it uncontroversial and philosophically uninteresting that all matter is unstable to some degree. However, there are many questions that we must ask about how precisely to understand this instability. Are there important conceptual distinctions to make between different kinds of instability? What is the relationship between instability and activity (here thinking of the title of our overarching collaboration, Conserving Active Matter). To what is activity opposed: passivity? inertness? stability? permanence? What are the significant varieties of matter’s instability and activity—for instance, growth, decay, degradation, and disintegration—and how do we distinguish them from one another? What role do matter’s other properties play in making these determinations? A second and related set of questions that will interest us in the symposium pertains to how we value or disvalue matter’s instability and impermanence. When is matter’s instability something to avoid, prevent, arrest (or attempt to avoid, prevent, or arrest), and when is it something to embrace, celebrate, appreciate, exploit, or facilitate? When does matter’s instability make a positive contribution to our experience of it, and what is the nature of this positive contribution (for example, aesthetic? practical? ethical?)? What values guide us, or should guide us, in answering these questions?

This symposium explores these philosophical issues in an interdisciplinary and cross-cultural manner under four headings: Worlds in RuinsWabi-Sabi, Kintsugi, and the Joys of Deformation and RupturePuzzles in Modern and Contemporary Art and Material Culture; and Growth in Decay: The Pleasures of Fungi and Bacteria.

November 8, 2019
9:00 am – 6 pm
38 West 86th Street, Lecture Hall

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9 am
Peter N. Miller
Bard Graduate Center

9:15 am
A.W. Eaton
University of Illinois at Chicago
Ivan Gaskell
Bard Graduate Center

Session I: Growth in Decay
(Chair: A.W. Eaton)

9:30 am
Erich Hatala Matthes
Wellesley College
What Can Conservation Conserve?

9:55 am
Alva Noë
University of California, Berkeley
Entanglement and Death

10:20 am

10:45 am
Coffee Break

Session II: Wabi-Sabi, Kintsugi, and the Joys of Deformation and Rupture
(Chair: A.W. Eaton)

11 am
Yuriko Saito
Rhode Island School of Design
Aesthetics of Repair

11:25 am
Rumiko Handa
University of Nebraska
Time and Imperfection

11:50 am

12:15 pm
Lunch Break

Session III: Puzzles in Modern and Contemporary Art and Material Culture
(Chair: Ivan Gaskell)

1:30 pm
Francesca Esmay
Solomon R. Guggenheim Museum
Jeffrey Weiss
Independent Curator
Iteration, Example, Version: The Variable Realization of Minimal Art

1:55 pm
Sherri Irvin
University of Oklahoma
The Expressive Import of Degradation and Decay in Contemporary Art

2:20 pm

2:45 pm
Coffee Break

Session IV: Worlds in Ruins
(Chair: A.W. Eaton)

3 pm
Carolyn Korsmeyer
University at Buffalo, SUNY
Degradation: Appearance and/or/vs. Reality

3:25 pm
Elisabeth Schellekens
University of Uppsala
Beauty, Destruction and the Temple of Bel

3:50 pm

Session V
4:15 pm
Panel Discussion

5:15 pm

BGCTV Logo BGCTV This event will be livestreamed. A link to the video will be posted to the event listing the day of the talk.
Cultures of Conservation Logo This event is part of our “Cultures of Conservation” initiative, supported by The Andrew W. Mellon Foundation.